The Handel and Haydn Society masterfully highlighted the drama and subtle details of Handel’s rarely heard cantatas Delirio ...

Verdi was an opera composer at his core and his Messa da Requiem exemplifies what happens when theatrical sensibilities meet a sacred text. In some ways, his dramatic style can feel distracting from ...

Seventieth birthdays are big deals. When Leonard Bernstein marked the milestone in 1988, the Boston Symphony threw him a three-day-long bash at Tanglewood that included a three-hour concert in the ...

“When good Americans die,” Oscar Wilde said, “they go to Paris.” Sometimes, though, Paris comes to America. So it happened that the Orchestre National de France found itself at Mechanics Hall in ...

Beware of ideas, Joseph Stalin once warned: they are more powerful than guns. “We would not let our enemies have guns,” he went on. “Why should we let them have ideas?” That statement might make a ...

A sold-out Symphony Hall witnessed a moving performance of Mahler’s Symphony No. 2 in C minor (“Resurrection”) by the Boston Philharmonic Orchestra under the baton of Benjamin Zander Friday night.

It’s no secret that Arnold Schoenberg admired Johannes Brahms. Less well-known is the fact that the latter reciprocated: shortly before his death in 1897, the man Schumann once dubbed the heir to ...

There’s nothing like an anniversary to encourage an orchestra’s programming. Take Andris Nelsons and the Boston Symphony Orchestra. Intent on marking the occasion of Dmitri Shostakovich’s death fifty ...

There are few great works upon which fame has shone more unwillingly than Edward Elgar’s Violin Concerto in B minor—at least so far as the Boston Symphony Orchestra is concerned. True, this ...

Who says old dogs can’t learn new tricks? The Boston Symphony Orchestra—now in its 144 th season—trotted out a fresh one with conductor Dima Slobodeniouk on Thursday night: eschewing the usual ...

Sometimes good things come in threes. Other times, they happen in fours. Take the Boston Symphony Orchestra’s concert at Symphony Hall on Thursday night. There were, on the one hand, a trio of debuts: ...

Back in 1986, Midori made the front page of The New York Times after a performance of Leonard Bernstein’s Serenade at Tanglewood resulted in two broken E strings and the then-14-year-old playing on ...